Eco-Sculptures in Burnaby: Animals Made From Metal and Plants
What Is an Eco-Sculpture?
One of the summer traditions in the city of Burnaby is the appearance of the eco-sculptures. The sculptures depict wildlife found in the province of British Columbia as well as animals from other parts of the world. They are made from metal and covered by living plants that represent hair, fur, feathers, and scales. The animals are placed in public areas such as parks, where they are admired by both the community and by visitors. I always feel a little sad when they are removed in September or October.
Although in Burnaby the term "eco-sculpture" has a specific meaning, elsewhere there seems to be no set definition for the term. Eco-sculptures or eco-friendly sculptures have some connection to protecting the environment. They are often made from natural, recycled, or found materials. The Burnaby sculptures may not be completely "eco" in their composition. They probably stimulate at least some people to think about the animals that share the world with us, however.
The theme of the eco-sculpture display shown below was "Be a Bee-liever". The goal was to promote the importance of bees and other pollinators in our environment. An eco-sculpture display showing bears, bees, flowers, and honey was created on a trailer so that it could be taken to different events. All of the photos in this article were taken by me.
Composition of the Sculptures
The first eco-sculptures in Burnaby appeared in 2005. Their population is growing in both number and popularity. The basic building blocks of a sculpture are a mesh-like metal frame that holds compacted soil, landscape fabric on top of the frame, and living plants pushed through the fabric into the soil. Continuous metal is used for parts such as bird beaks and animal feet. The components of a sculpture are shown in the video below.
Creating the Sculptures
The first step in the creation of an eco-sculpture is a drawing by the sculptor. The next stage is the creation of a small model of the sculpture, or a maquette. More than one maquette may be needed. The sculptor needs to plan not only the appearance of the animal but also its strength, stability, and durability. The final construction needs to handle the often wet and heavy soil inside it.
Once the full-size animal is created, it's covered with a landscape fabric. Soil is then packed into the sculpture. The positions for the plants are marked on the fabric after the animal is stuffed with soil. The final step is to make holes in the fabric with a dibble and a mallet and to place plant plugs in the holes. The plants are given time to grow before the sculpture goes on display.
The time taken to create an Eco-sculpture depends on the sculpture’s size and design. In general, two weeks are needed to stuff a sculpture with soil and one week to plant the design.— City of Burnaby
The Role of the Horticulturist
A horticulturist is involved in the last stages of making a sculpture. The final appearance of an animal depends on a number of factors, including plant type, health, and vigour, the distance between the plants, and their arrangement on the animal's surface. The plants that are used are generally annuals. A variety of Alternanthera is a popular choice.
The public plays a role in the final stage of making some of the eco-sculptures. Inserting the numerous plant plugs into the soil is time consuming, especially for the larger animals. Every year, the public is invited to help. There always seems to be a good response to the invitation.
If you visit Burnaby to look at the eco-sculptures, they may not look exactly as they do in my photos. The plants used to create the surface vary in identity or arrangement from year to year. Another point to consider is that the Parks Department sometimes replaces one sculpture with another one.
Since the surface of an eco-sculpture is living, it needs to be inspected and maintained, like a garden. In 2016, the crane sculptures at Burnaby Mountain Park (a highly photographed area), the horses at the Deer Lake complex, and the owls near City Hall were very visible to the public and were well maintained. When I took their photos in the second half of August, their plant coats were luxuriant. The landscaping fabric could only be seen at the seams or in places where it was deliberately exposed as part of the design. Some of the other sculptures weren't doing as well, however. Some had visible holes in the fabric where plants were dying or had died.
Burnaby Mountain to Deer Lake Park
In the section below I discuss the eco-sculptures in two places in North Burnaby—Burnaby Mountain and Deer Lake Park—and in the area around and between them. I also briefly describe the location of the sculptured animals.
Cranes and Kamui Mintara in Burnaby Mountain Park
Burnaby Mountain Park is an attractive area which offers a beautiful view of Burrard Inlet. It's located next to an area called the Burnaby Mountain Conservation Area, which contains walking trails that travel through a forested area. My favourite eco-sculptures out of all the ones that I've seen so far have been the cranes in the park. For many years, two tall tancho cranes held the place of honour on the mountain. They were created to celebrate Japan's efforts to save the bird from extinction. A different pair of cranes now occupy Burnaby Mountain, however. These birds represent the sandhill cranes that can be seen in British Columbia.
The park contains a second sculpture. This could also be classified as an eco-sculpture according to one definition of the term because it's made of a natural material. The sculpture is known as Playground of the Gods, or Kamui Mintara. It consists of a series of wooden totem poles that tell the story of how the gods descended to Earth to create the Ainu, the indigenous people of Japan. The bear, the owl, and the orca are involved in the story and are shown in the sculpture. The poles were carved by sculptors from Kushiro, Burnaby's sister city.
Bears, a Salmon, and Frogs
In 2016, 2017, and 2018, three bear sculptures were located in the golf course near the base of Burnaby Mountain. The sculptures were appropriate because black bears have been seen on Burnaby Mountain. The public has access to the golf course, although people are only allowed on the grass if they are playing golf. The grounds have some lovely floral displays as well as a small lake that birds visit. The lake is known as Squint Lake. In the early 1900s before the golf course existed, the local residents joked that the lake was so small that people had to squint to see it. This gave the lake its name.
In 2016, the salmon sculpture was located at the Burnaby Lake Sports Complex. This area is a collection of facilities aimed at amateur sports groups and the general public. The sports complex is located next to Burnaby Lake Regional Park, a wonderful place for nature lovers. In 2017, the salmon was replaced by a group of ten frogs—five green and five red. They had interesting poses that definitely attracted attention. Some seemed to be waving at the traffic driving by. The frogs made another appearance in 2018.
Horses Sculptures and a Carousel
Sage and Parsley are sculptures that mimic horses on the carousel at the Burnaby Village Museum. In 2016, the horses were located in Deer Lake Park by the highway. The park contains nature trails and quiet, uninhabited areas. In one section there are buildings, however. These buildings include the museum and heritage homes, some of which are used for different purposes from their original one. Burnaby City Hall is located next to this section of the park.
The carousel was built in 1912 by the C.W. Parker company. By 1989, it had travelled from place to place in North America and had become dilapidated. The PNE (Pacific National Exhibition), a Vancouver organization, owned the carousel at that time. They announced that they were going to auction off the horses one by one. This was very upsetting for some carousel fans.
A group of people banded together to raise money for the purchase of the carousel. The Burnaby Village Museum agreed to build a building to protect it. After many hours of painstaking restoration done by some very dedicated volunteers, the carousel was ready to use. It's a popular ride for children today.
Cows at Burnaby Village Museum
Burnaby Village Museum is a re-creation of a typical small town or village that existed in the area in the 1920s. The buildings are open to the public and are interesting to explore. Some equipment in the buildings is in working order. The printing press functions and is run by volunteers, for example. The same is true for the blacksmith's equipment.
A cultivated meadow is located next to the carousel building. It's a nice place for children to run. In 2016, it was also the home of the cow and calf eco-sculptures. The cow was ready for milking and the calf was lying on the grass near her. The photos below show their appearance at the end of the season. Both had seen better days with respect to their plant covering, but they were still attractive. I lIke their yellow and green colouration and the spots on the calf. In 2017 the cows were moved away from the museum, but a spider and other sculptures could be seen nearby.
A Growing and Changing Collection
Although I've heard of eco-sculptures located in other places in British Columbia, by far the greatest concentration is in Burnaby. The city seems to have been the pioneer for eco-sculptures (according to its definition of the term), at least in this part of the world. There are many other animals in Burnaby's collection in addition to the ones that I've described. New animals sometimes appear, such as the owls in 2016.
It's always interesting to see what sculptures are on display each year. It's also interesting to discover how the appearances of the animals changes. The different colours and types of plants that the horticulturists use and the different designs that they create with the plants remind me of an artist at work. A sculpture from this year may have the same shape next year, but it won't look the same if its plant covering has changed. Eco-sculpture in Burnaby is an interesting combination of art forms.
© 2016 Linda Crampton